File:Six Angels MET LC-1975 1 065d-001.jpg

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Summary

Jacopo di Cione: Six Angels  wikidata:Q20185404 reasonator:Q20185404
Artist
Jacopo di Cione  (1325–1399)  wikidata:Q2258950
 
Jacopo di Cione
Alternative names
Jacopo Orcagna
Description Italian painter, architect and sculptor
Date of birth/death circa 1320
date QS:P,+1320-00-00T00:00:00Z/9,P1480,Q5727902
 before 1400
date QS:P,+1400-00-00T00:00:00Z/7,P1326,+1400-00-00T00:00:00Z/9
Location of birth/death Florence Florence
Work location
Florence (1365–1398) Edit this at Wikidata
Authority file
artist QS:P170,Q2258950
image of artwork listed in title parameter on this page
Title
Six Angels
Object type painting
object_type QS:P31,Q3305213
Genre religious art Edit this at Wikidata
Date circa 1365
date QS:P571,+1365-00-00T00:00:00Z/9,P1480,Q5727902
Medium tempera on wood
medium QS:P186,Q175166;P186,Q287,P518,Q861259
, gold ground
Dimensions 25.4 × 9.8 cm (10 × 3.8 in)
institution QS:P195,Q160236
Current location
Robert Lehman Collection
Accession number
1975.1.65a–f
Credit line Robert Lehman Collection, 1975
References
Source/Photographer

https://www.metmuseum.org/art/collection/search/459006

Permission
(Reusing this file)
Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

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Captions

The Crucifixion - painting by Andrea di Cione (orcagna) (MET, 1975.1.65)

Items portrayed in this file

depicts

Six Angels

The Crucifixion

media type

image/jpeg

File history

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Date/TimeThumbnailDimensionsUserComment
current15:48, 25 March 2017Thumbnail for version as of 15:48, 25 March 20172,872 × 4,000 (3.46 MB)PharosGWToolset: Creating mediafile for Pharos.
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