Text Appearing Before Image: lucked his sleeve. You ask her, she whispered, how much did she takein to-night. Bill was quite direct about it. He turned immediatelyto Miggie Brewster. How much did you take in to-night? he asked. W. G. Olds took it upon himself to baa in protest. How does it signify to you? he demanded of Old Bill. Perfectly natural question—friendly, too, said Miggie.She told them how much she had taken in. It was con-siderable. So much, said Miggie, that I wont haveto have another dance till fall. Ten minutes later, in the Brewster car, Old Bill—won-dering, always wondering about this Becky Eckert—turnedto Miggie Brewster. You know, he mused—unknown to her there wasdeep purpose in his musing—you know, in all my lifeIve never seen a charity thats more complete. You areconcentrating on a single life. See what you do! Mythree dollars This reminded Miggie of something. Did you get your moneys worth? she asked OldBill—a bit anxiously too. (Continued on Page 40) THE SATURDAY EVENING POST 39 Text Appearing After Image: Sydney Chaplin inKing, Queen, Jack Ethel Clayton inSins of Rosanne. Dorothy Dalton inIn Men* Eyes Dorothy Dalton inA Romantic Adventuress William DeMilles ProductionMidsummer Madness George Fitzmaurices ProductionMoney Mad George Fitzmaurices ProductionIdols of Clay Dorothy Gish ioFlying Pat Thomas Meighan inConrad in Quest of His Youtha William DeMille Production Thomas Meighan inThe Frontier of the Starsa Chas. Maigne Production George Melfords ProductionBehold My Wife! George Melfords ProductionThe Jucklins Wallace Reid inAlways Audacious Wallace Reid inThe Charm School Bryant Washburn inAn Amateur Devil Bryant Washburn inBurglar Proof Lois Webers ProductionTo Please One Woman l!ltlillllll!l!1l))l!IIIHIlllilill!lllllii>^
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