Portal:Martial arts

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United States Marine practicing martial arts, 2008

Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defence; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. (Full article...)

Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat (in particular wrestling) and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.

Specific martial traditions become identifiable in Classical Antiquity, with disciplines such as shuai jiao, Greek wrestling or those described in the Indian epics or the Spring and Autumn Annals of China. (Full article...)

Selected articles

  • Image 1 Two kendōka, opponents, in the 2015 European Championships Kendo (剣道, Kendō, lit. 'sword way', 'sword path' or 'way of the sword') is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords (shinai) as well as protective armor (bōgu). It began as samurai warriors' customary swordsmanship exercises, and today it is widely practiced within Japan and has spread to many other nations across the world. (Full article...)

    Two kendōka, opponents, in the 2015 European Championships
    Kendo (剣道, Kendō, lit. 'sword way', 'sword path' or 'way of the sword') is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords (shinai) as well as protective armor (bōgu). It began as samurai warriors' customary swordsmanship exercises, and today it is widely practiced within Japan and has spread to many other nations across the world. (Full article...)
  • Image 2 Iaidō (居合道), abbreviated iai (居合), is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya), striking or cutting an opponent, shaking blood from the blade, and replacing the sword in the scabbard. While beginning practitioners of iaido may start learning with a wooden sword (bokken) depending on the teaching style of a particular instructor, most of the practitioners use a blunt-edged sword called an iaitō or mogitō. Few, more experienced, iaido practitioners use a sharp-edged sword (shinken). (Full article...)
    Iaidō (居合道), abbreviated iai (居合), is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks.

    Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya), striking or cutting an opponent, shaking blood from the blade, and replacing the sword in the scabbard. While beginning practitioners of iaido may start learning with a wooden sword (bokken) depending on the teaching style of a particular instructor, most of the practitioners use a blunt-edged sword called an iaitō or mogitō. Few, more experienced, iaido practitioners use a sharp-edged sword (shinken). (Full article...)
  • Image 3 5th-century terracotta sculpture of wrestlers from Uttar Pradesh, India. Malla-yuddha (Sanskrit: मल्लयुद्ध, IAST: mallayuddha) is the traditional form of combat-wrestling originating in the Indian subcontinent. It is closely related to Southeast Asian wrestling styles such as naban and is one of the two ancestors of kushti. Indian wrestling is described in the 13th century Malla Purana. Malla-yuddha incorporates wrestling, joint-breaking, punching, biting, choking and pressure point striking. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as yuddha. Due to the extreme violence, this final form is generally no longer practised. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Additionally, malla-yuddha is divided into four categories (see below). Each yuddhan is named after Hindu gods and legendary fighters: Hanumanti - concentrates on technical superiority. Jambuvanti - uses locks and holds to force the opponent into submission. Jarasandhi - concentrates on breaking the limbs and joints while fighting. Bhimaseni - focuses on sheer strength. (Full article...)

    5th-century terracotta sculpture of wrestlers from Uttar Pradesh, India.

    Malla-yuddha (Sanskrit: मल्लयुद्ध, IAST: mallayuddha) is the traditional form of combat-wrestling originating in the Indian subcontinent. It is closely related to Southeast Asian wrestling styles such as naban and is one of the two ancestors of kushti. Indian wrestling is described in the 13th century Malla Purana.

    Malla-yuddha incorporates wrestling, joint-breaking, punching, biting, choking and pressure point striking. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as yuddha. Due to the extreme violence, this final form is generally no longer practised. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Additionally, malla-yuddha is divided into four categories (see below). Each yuddhan is named after Hindu gods and legendary fighters:
    • Hanumanti - concentrates on technical superiority.
    • Jambuvanti - uses locks and holds to force the opponent into submission.
    • Jarasandhi - concentrates on breaking the limbs and joints while fighting.
    • Bhimaseni - focuses on sheer strength.
    (Full article...)
  • Image 4 Kung fu in Iran Chinese martial arts, often called by the umbrella terms kung fu (/ˈkʌŋ ˈfuː/; Chinese: 功夫; pinyin: gōngfu; Cantonese Yale: gūng fū), kuoshu (國術; guóshù) or wushu (武術; wǔshù), are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include Shaolinquan (少林拳) physical exercises involving All Other Animals (五形) mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called internal (内家拳; nèijiāquán), while others that concentrate on improving muscle and cardiovascular fitness are called external (外家拳; wàijiāquán). Geographical associations, as in northern (北拳; běiquán) and southern (南拳; nánquán), is another popular classification method. (Full article...)
    Kung fu in Iran

    Chinese martial arts, often called by the umbrella terms kung fu (/ˈkʌŋ ˈfuː/; Chinese: 功夫; pinyin: gōngfu; Cantonese Yale: gūng fū), kuoshu (國術; guóshù) or wushu (武術; wǔshù), are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include Shaolinquan (少林拳) physical exercises involving All Other Animals (五形) mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called internal (内家拳; nèijiāquán), while others that concentrate on improving muscle and cardiovascular fitness are called external (外家拳; wàijiāquán). Geographical associations, as in northern (北拳; běiquán) and southern (南拳; nánquán), is another popular classification method. (Full article...)
  • Image 5 Angampora gripping technique at Korathota Angam Maduwa Angampora is a Sinhalese martial art that combines combat techniques, self-defense, sport, exercise, and meditation. A key component of angampora is the namesake angam, which incorporates hand-to-hand fighting, and illangam, involving the use of indigenous weapons such as the ethunu kaduwa, staves, knives and swords. Another component known as maya angam, which uses spells and incantations for combat, is also said to have existed. Angampora's distinct feature lies in the use of pressure point attacks to inflict pain or permanently paralyze the opponent. Fighters usually make use of both striking and grappling techniques, and fight until the opponent is caught in a submission lock that they cannot escape. Usage of weapons is discretionary. Perimeters of fighting are defined in advance, and in some of the cases is a pit. A number of paintings related to angampora are found at Buddhist temples in Sri Lanka. These include Embekka Devalaya, Gadaladeniya Rajamaha Viharaya, Temple of the Tooth, Saman Devalaya (Ratnapura) and Lankathilaka Rajamaha Viharaya. (Full article...)

    Angampora gripping technique at Korathota Angam Maduwa

    Angampora is a Sinhalese martial art that combines combat techniques, self-defense, sport, exercise, and meditation. A key component of angampora is the namesake angam, which incorporates hand-to-hand fighting, and illangam, involving the use of indigenous weapons such as the ethunu kaduwa, staves, knives and swords. Another component known as maya angam, which uses spells and incantations for combat, is also said to have existed. Angampora's distinct feature lies in the use of pressure point attacks to inflict pain or permanently paralyze the opponent. Fighters usually make use of both striking and grappling techniques, and fight until the opponent is caught in a submission lock that they cannot escape. Usage of weapons is discretionary. Perimeters of fighting are defined in advance, and in some of the cases is a pit.

    A number of paintings related to angampora are found at Buddhist temples in Sri Lanka. These include Embekka Devalaya, Gadaladeniya Rajamaha Viharaya, Temple of the Tooth, Saman Devalaya (Ratnapura) and Lankathilaka Rajamaha Viharaya. (Full article...)
  • Image 6 Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines (e.g. archery, armed combat), by Classical times they were used generically for all fighting systems. Among the most common terms today, śastra-vidyā, is a compound of the words śastra (weapon) and vidyā (knowledge). Dhanurveda derives from the words for bow (dhanushya) and knowledge (veda), the "science of archery" in Puranic literature, later applied to martial arts in general. The Vishnu Purana text describes dhanuveda as one of the traditional eighteen branches of "applied knowledge" or upaveda, along with shastrashāstra or military science. A later term, yuddha kalā, comes from the words yuddha meaning fight or combat and kalā meaning art or skill. The related term śastra kalā (lit. weapon art) usually refers specifically to armed disciplines. Another term, yuddha-vidyā or "combat knowledge", refers to the skills used on the battlefield, encompassing not only actual fighting but also battle formations and strategy. Martial arts are usually learnt and practiced in the traditional akharas. (Full article...)
    Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines (e.g. archery, armed combat), by Classical times they were used generically for all fighting systems.

    Among the most common terms today, śastra-vidyā, is a compound of the words śastra (weapon) and vidyā (knowledge). Dhanurveda derives from the words for bow (dhanushya) and knowledge (veda), the "science of archery" in Puranic literature, later applied to martial arts in general. The Vishnu Purana text describes dhanuveda as one of the traditional eighteen branches of "applied knowledge" or upaveda, along with shastrashāstra or military science. A later term, yuddha kalā, comes from the words yuddha meaning fight or combat and kalā meaning art or skill. The related term śastra kalā (lit. weapon art) usually refers specifically to armed disciplines. Another term, yuddha-vidyā or "combat knowledge", refers to the skills used on the battlefield, encompassing not only actual fighting but also battle formations and strategy. Martial arts are usually learnt and practiced in the traditional akharas. (Full article...)
  • Image 7 Drawing of the archetypical ninja from a series of sketches by Hokusai. Woodblock print on paper. Vol. six, 1817. A ninja (Japanese: 忍者, lit. 'one who is invisible'; [ɲiꜜɲdʑa]) or shinobi (Japanese: 忍び, lit. 'one who sneaks'; [ɕinobi]) was a covert agent, mercenary, or guerrilla warfare expert in feudal Japan. The functions of a ninja included siege and infiltration, ambush, reconnaissance, espionage, deception, and later bodyguarding and their fighting skills in martial arts, including ninjutsu. Their covert methods of waging irregular warfare were deemed dishonorable and beneath the honor of the samurai. Though shinobi proper, as specially trained warriors, spies, and mercenaries, appeared in the 15th century during the Sengoku period, antecedents may have existed as early as the 12th century. In the unrest of the Sengoku period, jizamurai families, that is, elite peasant-warriors, in Iga Province and the adjacent Kōka District formed ikki – "revolts" or "leagues" – as a means of self-defense. They became known for their military activities in the nearby regions and sold their services as mercenaries and spies. It is from these areas that much of the knowledge regarding the ninja is drawn. Following the Tokugawa shogunate in the 17th century, the ninja faded into obscurity. A number of shinobi manuals, often based on Chinese military philosophy, were written in the 17th and 18th centuries, most notably the Bansenshūkai (1676). (Full article...)
    Drawing of the archetypical ninja from a series of sketches by Hokusai. Woodblock print on paper. Vol. six, 1817.


    A ninja (Japanese: 忍者, lit. 'one who is invisible'; [ɲiꜜɲdʑa]) or shinobi (Japanese: 忍び, lit. 'one who sneaks'; [ɕinobi]) was a covert agent, mercenary, or guerrilla warfare expert in feudal Japan. The functions of a ninja included siege and infiltration, ambush, reconnaissance, espionage, deception, and later bodyguarding and their fighting skills in martial arts, including ninjutsu. Their covert methods of waging irregular warfare were deemed dishonorable and beneath the honor of the samurai. Though shinobi proper, as specially trained warriors, spies, and mercenaries, appeared in the 15th century during the Sengoku period, antecedents may have existed as early as the 12th century.

    In the unrest of the Sengoku period, jizamurai families, that is, elite peasant-warriors, in Iga Province and the adjacent Kōka District formed ikki – "revolts" or "leagues" – as a means of self-defense. They became known for their military activities in the nearby regions and sold their services as mercenaries and spies. It is from these areas that much of the knowledge regarding the ninja is drawn. Following the Tokugawa shogunate in the 17th century, the ninja faded into obscurity. A number of shinobi manuals, often based on Chinese military philosophy, were written in the 17th and 18th centuries, most notably the Bansenshūkai (1676). (Full article...)
  • Image 8 Megumi Fujii (left) vs. Cody Welchlin (right) While mixed martial arts is primarily a male dominated sport, it does have female athletes. For instance, Female competition in Japan includes promotions such as DEEP Jewels. Now defunct promotions that featured female fighters were Valkyrie, and Smackgirl. Professional mixed martial arts organizations in the United States that invite women to compete are industry leader Ultimate Fighting Championship, the all female Invicta Fighting Championships, Resurrection Fighting Alliance, Bellator Fighting Championships, and Legacy Fighting Championship. Now defunct promotions that featured female fighters were Strikeforce and EliteXC. There has been a growing awareness of women in mixed martial arts due to popular female fighters and personalities such as Amanda Nunes, Megumi Fujii, Gina Carano, Ronda Rousey, Miesha Tate, Holly Holm, Alexa Grasso, and Joanna Jędrzejczyk and among others. Carano became known as "the face of women's MMA" after appearing in a number of EliteXC events. This was furthered by her appearances on MGM Television's 2008 revival of their game show American Gladiators. The UFC's decision to allow female fighters in the organization, to promote the dominant fighter Ronda Rousey, is often cited as the reason women's mixed martial arts became known to the general public. Rousey won the Best Fighter ESPY Award at the 2015 ESPN ESPY awards, beating out noted fighters such as Floyd Mayweather Jr., and becoming the first UFC and MMA fighter to win the award. (Full article...)

    Megumi Fujii (left) vs. Cody Welchlin (right)

    While mixed martial arts is primarily a male dominated sport, it does have female athletes. For instance, Female competition in Japan includes promotions such as DEEP Jewels. Now defunct promotions that featured female fighters were Valkyrie, and Smackgirl. Professional mixed martial arts organizations in the United States that invite women to compete are industry leader Ultimate Fighting Championship, the all female Invicta Fighting Championships, Resurrection Fighting Alliance, Bellator Fighting Championships, and Legacy Fighting Championship. Now defunct promotions that featured female fighters were Strikeforce and EliteXC.
    There has been a growing awareness of women in mixed martial arts due to popular female fighters and personalities such as Amanda Nunes, Megumi Fujii, Gina Carano, Ronda Rousey, Miesha Tate, Holly Holm, Alexa Grasso, and Joanna Jędrzejczyk and among others. Carano became known as "the face of women's MMA" after appearing in a number of EliteXC events. This was furthered by her appearances on MGM Television's 2008 revival of their game show American Gladiators.

    The UFC's decision to allow female fighters in the organization, to promote the dominant fighter Ronda Rousey, is often cited as the reason women's mixed martial arts became known to the general public. Rousey won the Best Fighter ESPY Award at the 2015 ESPN ESPY awards, beating out noted fighters such as Floyd Mayweather Jr., and becoming the first UFC and MMA fighter to win the award. (Full article...)
  • Image 9 Tsuyoshi Chitose in Peggy's Cove, Nova Scotia Chitō-ryū (千唐流) is a style of karate founded by Dr. Tsuyoshi Chitose (千歳 强直, Chitose Tsuyoshi), (1898-1984). The name of the style translates as: chi (千) - 1,000; tō (唐) - China; ryū (流) - style, school, "1,000 year old Chinese style." The character tō (唐) refers to the Tang dynasty of China. The style was officially founded in 1946. Chitō-ryū is generally classified as a Japanese style because Chitose formulated and founded Chitō-ryū principally while living in Kumamoto, Japan. However, some modern practitioners feel it is better categorized as an Okinawan style given that its roots and techniques are firmly grounded in and derived from traditional Okinawan Tōde (唐手). This belief is warranted since the style's founder, Tsuyoshi Chitose, received first the rank of Judan, in 1958, and then the rank of Hanshi, in 1968, from the Zen Okinawa Karate Kobudo Rengo Kai (All Okinawa Union of Karate-do and Kobu-do). (Full article...)

    Tsuyoshi Chitose in Peggy's Cove, Nova Scotia
    Chitō-ryū (千唐流) is a style of karate founded by Dr. Tsuyoshi Chitose (千歳 强直, Chitose Tsuyoshi), (1898-1984). The name of the style translates as: chi (千) - 1,000; tō (唐) - China; ryū (流) - style, school, "1,000 year old Chinese style." The character tō (唐) refers to the Tang dynasty of China. The style was officially founded in 1946.

    Chitō-ryū is generally classified as a Japanese style because Chitose formulated and founded Chitō-ryū principally while living in Kumamoto, Japan. However, some modern practitioners feel it is better categorized as an Okinawan style given that its roots and techniques are firmly grounded in and derived from traditional Okinawan Tōde (唐手). This belief is warranted since the style's founder, Tsuyoshi Chitose, received first the rank of Judan, in 1958, and then the rank of Hanshi, in 1968, from the Zen Okinawa Karate Kobudo Rengo Kai (All Okinawa Union of Karate-do and Kobu-do). (Full article...)
  • Image 10 Jujutsu training at an agricultural school in Japan around 1920 Jujutsu (/dʒuːˈdʒɪtsuː/ joo-JIT-sue; Japanese: 柔術 jūjutsu, pronounced [dʑɯꜜːʑɯtsɯ] ⓘ), also known as jiu-jitsu and ju-jitsu, is a family of Japanese martial arts and a system of close combat (unarmed or with a minor weapon) that can be used in a defensive or offensive manner to kill or subdue one or more weaponless or armed and armored opponents. It was coined by Hisamori Tenenuchi when he officially established the first school of jiu-jitsu in Japan. A subset of techniques from certain styles of jujutsu were used to develop many modern martial arts and combat sports, such as judo, aikido, sambo, ARB, Brazilian jiu-jitsu, and mixed martial arts. (Full article...)

    Jujutsu training at an agricultural school in Japan around 1920

    Jujutsu (/dʒuːˈdʒɪtsuː/ joo-JIT-sue; Japanese: 柔術 jūjutsu, pronounced [dʑɯꜜːʑɯtsɯ] ⓘ), also known as jiu-jitsu and ju-jitsu, is a family of Japanese martial arts and a system of close combat (unarmed or with a minor weapon) that can be used in a defensive or offensive manner to kill or subdue one or more weaponless or armed and armored opponents. It was coined by Hisamori Tenenuchi when he officially established the first school of jiu-jitsu in Japan. A subset of techniques from certain styles of jujutsu were used to develop many modern martial arts and combat sports, such as judo, aikido, sambo, ARB, Brazilian jiu-jitsu, and mixed martial arts. (Full article...)
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Selected biography

Morihei Ueshiba at his Ayabe dojo in 1921.
Morihei Ueshiba (植芝 盛平, Ueshiba Morihei, December 14, 1883 – April 26, 1969) was a Japanese martial artist and founder of the martial art of aikido. He is often referred to as "the founder" Kaiso (開祖) or Ōsensei (大先生/翁先生), "Great Teacher".

The son of a landowner from Tanabe, Ueshiba studied a number of martial arts in his youth, and served in the Japanese Army during the Russo-Japanese War. After being discharged in 1907, he moved to Hokkaidō as the head of a pioneer settlement; here he met and studied with Takeda Sōkaku, the headmaster of Daitō-ryū Aiki-jūjutsu. On leaving Hokkaido in 1919, Ueshiba joined the Ōmoto-kyō movement, a Shinto sect, in Ayabe, where he served as a martial arts instructor and opened his first dojo. He accompanied the head of the Ōmoto-kyō group, Onisaburo Deguchi, on an expedition to Mongolia in 1924, where they were captured by Chinese troops and returned to Japan. The following year, he had a profound spiritual experience, stating that, "a golden spirit sprang up from the ground, veiled my body, and changed my body into a golden one." After this experience, his martial arts technique became gentler, with a greater emphasis on the control of ki.

Ueshiba moved to Tokyo in 1926, where he set up what would become the Aikikai Hombu Dojo. By this point he was comparatively famous in martial arts circles, and taught at this dojo and others around Japan, including in several military academies. In the aftermath of World War II the Hombu dojo was temporarily closed, but Ueshiba had by this point left Tokyo and retired to Iwama, and he continued training at the dojo he had set up there. From the end of the war until the 1960s, he worked to promote aikido throughout Japan and abroad. He died from liver cancer in 1969.

After Ueshiba's death, aikido continued to be promulgated by his students (many of whom became noted martial artists in their own right). It is now practiced around the world. (Full article...)


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Selected entertainment

Miguel Cotto vs. Antonio Margarito, billed as "The Battle", was a professional boxing match between WBA welterweight champion Miguel Cotto and former IBF and WBO welterweight champion Antonio Margarito. The WBA welterweight title bout took place on July 26, 2008, at the MGM Grand in Paradise, Nevada, and resulted in an eleventh round technical knockout victory for Margarito.

Both men had previously fought on April 12 and emerged victorious, thus clearing the way for a July 26 match between the two boxers. It was Cotto's first fight in Las Vegas since December 2004. According to promoter Bob Arum, the bout took place in Las Vegas to promote Cotto to a new audience while also appealing to Margarito's Mexican American fans in California. Cotto entered the fight as The Ring magazine's #1 ranked boxer in the welterweight division and #6 in their pound-for-pound rankings. Margarito entered the match as The Ring magazine's #4 ranked welterweight. Press conferences were held in Mexico, Los Angeles, New York City, and Puerto Rico to promote the world title bout.

Cotto and Margarito's aggressive boxing styles led to much praise from multiple boxing writers. Kevin Iole of Yahoo! Sports named it the third-best boxing match of 2008 and the fight generated 450,000 pay-per-view buys, the third-highest in 2008 for a boxing match. Margarito was later suspected of cheating in this bout after controversy arose over his use of hand wraps after his bout with Shane Mosley.


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Selected image


Right, a bearded white man wearing a yellow loin-cloth wrestles with a black man, left, who is on one knee. Rich green background.
Right, a bearded white man wearing a yellow loin-cloth wrestles with a black man, left, who is on one knee. Rich green background.
Credit: York Museums Trust staff

The Wrestlers is an oil painting on millboard by English artist William Etty, painted around 1840 and currently in the York Art Gallery, in York, England. It depicts a wrestling match between a black man and a white man, both glistening with sweat and under an intense light emphasising their curves and musculature. While little documentation of the painting exists prior to 1947, it is likely that it was painted over a period of three evenings at the life class of the Royal Academy. (Full article...)


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There is something to be learned from a rainstorm. When meeting with a sudden shower, you try not to get wet and run quickly along the road. But doing such things as passing under the eaves of houses, you still get wet. When you are resolved from the beginning, you will not be perplexed, though you will still get the same soaking. This understanding extends to everything.


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