Portal:Rock music

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Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 2Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 3Buddy Holly and his band, the Crickets (from Rock and roll)
Image 4Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 5Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 6Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 7Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 8Little Richard in 1957 (from Rock and roll)
Image 9Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 10Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 11Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 12The Who on stage in 1975 (from Hard rock)
Image 13Golden Earring receives a gold record in 1970. (from Hard rock)
Image 14Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 15Drum notation for a backbeat (from Hard rock)
Image 16Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 17Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 18Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 19Chuck Berry in 1957 (from Rock and roll)
Image 20Kiss onstage in Boston in 2004 (from Hard rock)
Image 21"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 22Wolfmother, 2007 (from Hard rock)

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The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.

In 1965, the band came together as a folk rock trio known as the Raggamuffins, before expanding to the quintet that was later rechristened the Music Machine. The group was known for their style of dress, clothing themselves in all-black attire. In 1966, the Music Machine was signed to Original Sound, and released its first single "Talk Talk" in the latter half of the year, with it reaching the Top 20 of the Billboard Hot 100. Their debut album (Turn On) The Music Machine and the moderate hit "The People in Me" followed. The band's original lineup fragmented in late 1967 after managerial and financial disputes. Bonniwell reassembled the group under the name The Bonniwell Music Machine. In 1968, a second album, The Bonniwell Music Machine appeared, but the group disbanded in early 1969. (Full article...)

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Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, guitarist and songwriter who pioneered rock and roll. Nicknamed the "Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957), and "Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.

Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformatory, where he was held from 1944 to 1947. After his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of the blues musician T-Bone Walker, Berry began performing with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955 and met Muddy Waters, who suggested he contact Leonard Chess, of Chess Records. With Chess, he recorded "Maybellene"—Berry's adaptation of the country song "Ida Red"—which sold over a million copies, reaching number one on Billboard magazine's rhythm and blues chart.

By the end of the 1950s, Berry was an established star, with several hit records and film appearances and a lucrative touring career. He had also established his own St. Louis nightclub, Berry's Club Bandstand. He was sentenced to three years in prison in January 1962 for offenses under the Mann Act—he had transported a 14-year-old girl across state lines for the purpose of having sexual intercourse. After his release in 1963, Berry had several more successful songs, including "No Particular Place to Go", "You Never Can Tell", and "Nadine". However, these did not achieve the same success or lasting impact of his 1950s songs, and by the 1970s he was more in demand as a nostalgia performer, playing his past material with local backup bands of variable quality. In 1972, he reached a new level of achievement when a rendition of "My Ding-a-Ling" became his only record to top the charts. His insistence on being paid in cash led in 1979 to a four-month jail sentence and community service, for tax evasion.

Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986; he was cited for having "laid the groundwork for not only a rock and roll sound but a rock and roll stance." Berry is included in several of Rolling Stone magazine's "greatest of all time" lists; he was ranked fifth on its 2004 and 2011 lists of the 100 Greatest Artists of All Time and 2nd greatest guitarist of all time in 2023. The Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll includes three of Berry's: "Johnny B. Goode", "Maybellene", and "Rock and Roll Music". "Johnny B. Goode" is the only rock-and-roll song included on the Voyager Golden Record. (Full article...)

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Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin, released on 28 March 1973 in the United States and on 30 March 1973 in the United Kingdom by Atlantic Records. The album benefited from two band members installing studios at home, which allowed them to develop more sophisticated songs and arrangements and expand their musical style. Several songs subsequently became fixtures in the group's live set, including "The Song Remains the Same", "The Rain Song" and "No Quarter". Other material recorded at the sessions, including the title track, was shelved and released on the later albums Physical Graffiti (1975) and Coda (1982). All instruments and vocals were provided by the band members Robert Plant (vocals), Jimmy Page (guitar), John Paul Jones (bass, keyboards), and John Bonham (drums). The album was produced by Page and mixed by Eddie Kramer. The cover was the first for the band to be designed by Hipgnosis and was based on a photograph taken at Giant's Causeway in Northern Ireland.

Although critical response was mixed, Houses of the Holy became a commercial success, later receiving a Diamond certification by the Recording Industry Association of America (RIAA) in 1999 for at least 10 million copies sold in the US. In 2020, the album was ranked at number 278 on Rolling Stones 2020 list of the "500 Greatest Albums of All Time". ('Full article...)

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"It's All Coming Back to Me Now" is a power ballad written by Jim Steinman. According to Steinman, the song was inspired by Wuthering Heights, and was an attempt to write "the most passionate, romantic song" he could ever create. The Sunday Times posits that "Steinman protects his songs as if they were his children". Meat Loaf, who had collaborated with Steinman on most of his hit songs, had wanted to record the song for years, but Steinman refused, saying he saw it as a "woman's song". Steinman won a court case, which prevented Meat Loaf from recording it. Girl group Pandora's Box went on to record it, and it was subsequently made famous through a cover by Celine Dion, which upset Meat Loaf because he was going to use it for a planned album with the working title Bat Out of Hell III.

Alternately, Meat Loaf has said the song was intended for Bat Out of Hell II: Back into Hell and given to the singer in 1986, but that they both decided to use "I'd Do Anything for Love (But I Won't Do That)" for Bat II, and save this song for Bat Out of Hell III: The Monster Is Loose. Steinman at one point offered it to Bonnie Tyler, who was recording her album Hide Your Heart with producer Desmond Child. Confident that it would be a hit, she asked her record company to include it in the album; they declined, citing cost reasons for using Jim Steinman to produce it.

The song has had three major releases. The first version appeared on the concept album Original Sin, recorded by Pandora's Box. It was recorded by Celine Dion for her album Falling into You, and her version was a commercial hit, reaching No. 2 in the U.S. Billboard Hot 100 and No. 3 in the UK Singles Chart. Meat Loaf eventually recorded it as a duet with Norwegian singer Marion Raven for Bat III and released it as a single in 2006. This version reached No. 1 in Norway and No. 2 on the UK Singles charts.

A music video was produced for each of the three versions; death is a recurring theme in all of these videos, fitting in with the suggestion in Virgin Records' press release for Original Sin that "in Steinman's songs, the dead come to life and the living are doomed to die". (Full article...)

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Credit: Rowland Scherman

Joan Baez and Bob Dylan at a civil rights march on Washington, D.C., 28 August 1963.

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Did you know (auto-generated)

... that the heavy metal musician Leah has sometimes been called "the metal Enya"?
... that when rock musician Warren Zevon received a terminal diagnosis of lung cancer, he learned to "enjoy every sandwich"?
... that Dutch radio and TV presenter Hanneke Kappen presented the second Dutch radio show dedicated to heavy metal music?
... that Skálmöld & Sinfóníuhljómsveit Íslands documents a symphony orchestra playing heavy metal music?
... that the British rock musician Hannah Grae went viral online with an anti-sexual harassment parody of Aqua's "Barbie Girl"?
... that Desulfovibrio vulgaris can remove toxic heavy metals from the environment?

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Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness. (Full article...)