Portal:Cartoon

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The Cartoon Portal

A cartoon shows a bearded man with a red bow tie holding numerous items. He holds the hat from Dr. Seuss's "The Cat in the Hat" and balances a fishbowl on his left index finger.
Example of a modern cartoon. The text was excerpted by cartoonist Greg Williams from the Wikipedia article on Dr. Seuss.

A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in Punch magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animated films that resembled print cartoons. (Full article...)

John Leech, Substance and Shadow (1843), published as Cartoon, No. 1 in Punch, the first use of the word cartoon to refer to a satirical drawing

In print media, a cartoon is a drawing or series of drawings, usually humorous in intent. This usage dates from 1843, when Punch magazine applied the term to satirical drawings in its pages,[1] particularly sketches by John Leech.[2] The first of these parodied the preparatory cartoons for grand historical frescoes in the then-new Palace of Westminster in London.[3]

Davy Jones' Locker, 1892 Punch cartoon by Sir John Tenniel

"Trapped in the Closet" is the twelfth episode of the ninth season of the Comedy Central series South Park. It originally aired on November 16, 2005. The plot of the episode centers on the South Park character Stan Marsh, as he joins Scientology in an attempt to find something "fun and free". After the discovery of his surprisingly high "thetan levels", he is recognized as the reincarnation of the founder of the church, L. Ron Hubbard. Isaac Hayes, the voice of Chef, quit the show shortly before the start of the tenth season. The reason for his departure, as reported by Matt Stone, was due to his faith in Scientology and this episode, which—despite initially supporting the show's satirical take on several talk shows—he claimed was very offensive. "Trapped in the Closet" was nominated for an Emmy Award in July 2006, in the Primetime Emmy Award for Outstanding Animated Program (for Programming Less Than One Hour) category in July 2006, but lost to The Simpsons episode "The Seemingly Never-Ending Story". The episode was featured among Comedy Central's list of "10 South Parks That Changed The World", spoofed by Conan O'Brien in the opening segment of the 58th Primetime Emmy Awards, and mentioned in the Scientology critique film, The Bridge.

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Bugs' star on the Hollywood Walk of Fame.

Bugs Bunny is a funny animal cartoon character, best remembered for his starring roles in the Looney Tunes and Merrie Melodies series of theatrical shorts produced by Warner Bros. during the Golden Age of American animation. His popularity during this era led to his becoming a corporate mascot of Warner Bros. Entertainment. Bugs is an anthropomorphic gray hare or rabbit and is famous for his flippant, insouciant personality, a pronounced New York accent, his portrayal as a trickster, and his catch phrase "Eh... What's up, doc?" (usually said while chewing a carrot). Bugs has appeared in more films than any other cartoon character and is the ninth most portrayed film personality in the world. In reality, he was brought to life by the animators and staff of Leon Schlesinger Productions (later Warner Bros. Cartoons): including Tex Avery, who directed Bugs' "official" debut short A Wild Hare (1940); Robert McKimson, who created Bugs' definitive character design; and Mel Blanc, who originated the voice of Bugs.

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The episodes of The Bellflower Bunnies, a children's animated series based on the Beechwood Bunny Tales books by Geneviève Huriet, Amélie Sarn and Loïc Jouannigot. It debuted on TF1, a French television network, on 24 December 2001. The series is written by Valérie Baranski, and produced by Patricia Robert. The show centres on the adventures and exploits of the Bellflower family, a clan of seven rabbits who live in Beechwood Grove. The two adults in the family, Papa Bramble and Aunt Zinnia, take care of their five children: Periwinkle, Poppy, Mistletoe, Dandelion and Violette. The series has also been broadcast on CBC Television and TFO in Canada, KI.KA in Germany, Portugal's RTP in the Azores, and in several other countries. The show has fifty-two episodes: four in the first season, twenty-two in the second, and twenty-six in the third. In the entire series, thirteen are based directly on installments in Beechwood Bunny Tales, published by Milan Presse of France and Gareth Stevens in the United States; the rest are based on scripts by Valérie Baranski. Distributors in Europe, North America, and South Korea have released DVDs of the first two seasons.

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Marsh at the 2009 San Diego Comic Con International

Jeff "Swampy" Marsh (born December 9, 1960) is an American television director, writer, producer, storyboard artist, and actor associated with several animated television series. Marsh was born in Santa Monica, California, where he grew up with a heavily blended family dynamic. Marsh has been and continues to be a driving force behind several animation projects, working for over six seasons on the animated television series The Simpsons. Marsh continued to work on other animated television series, including King of the Hill and Rocko's Modern Life, before moving to England in 1996. While in England, Marsh worked on several animated programs, including Postman Pat and Bounty Hamster, and worked for BKN New Media Ltd. to produce several feature films. After six years living in England, Marsh was asked by his longtime partner Dan Povenmire to help produce Phineas and Ferb in 2007, a concept the two had while working together on Rocko's Modern Life. Marsh accepted and moved back to the United States; the series has since garnered Marsh two Emmy Awards nominations for songwriting.

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In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story.....Okay, it started out as a lazy's man's device...but we realized this was absolutely the best way to do a comic.....Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.' The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something.
Stan Lee

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Sources

  1. ^ Punch.co.uk. "History of the Cartoon". Archived from the original on 2007-11-11. Retrieved 2007-11-01.
  2. ^ Adler & Hill 2008, p. 30.
  3. ^ "Substance and Shadow: Original Editorial Accompanying "Cartoon, No. I"". Victorian web.org. Retrieved 29 October 2023.

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