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Introduction

Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose, fiction, drama, poetry, and including both print and digital writing. In recent centuries, the definition has expanded to include oral literature, also known as orature much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.

Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and essays. Within its broad definition, literature includes non-fictional books, articles or other written information on a particular subject. (Full article...)

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Gustave Doré's illustration of the final lines of the poem.
"The Raven" is a narrative poem by American writer Edgar Allan Poe. Its publication made Poe widely popular in his lifetime. Although it did not bring him much financial success it was soon reprinted, parodied, and it nevertheless remains one of the most famous poems ever written.

First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. The lover, often identified as being a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further instigate his distress with its constant repetition of the word "Nevermore". The poem makes use of a number of folk and classical references.

Poe claimed to have written the poem very logically and methodically, intending to create a poem that would appeal to both critical and popular tastes, as he explained in his 1846 follow-up essay "The Philosophy of Composition". The poem was inspired in part by a talking raven in the novel Barnaby Rudge: A Tale of the Riots of 'Eighty by Charles Dickens. Poe borrows the complex rhythm and meter of Elizabeth Barrett's poem "Lady Geraldine's Courtship", and makes use of internal rhyme as well as alliteration throughout.

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  • Image 1 Vonnegut in 1965 Kurt Vonnegut (/ˈvɒnəɡət/ VON-ə-gət; November 11, 1922 – April 11, 2007) was an American writer and humorist known for his satirical and darkly humorous novels. He published 14 novels, three short-story collections, five plays, and five nonfiction works over fifty-plus years; further collections have been published since his death. Born and raised in Indianapolis, Vonnegut attended Cornell University, but withdrew in January 1943 and enlisted in the U.S. Army. As part of his training, he studied mechanical engineering at Carnegie Institute of Technology and the University of Tennessee. He was then deployed to Europe to fight in World War II and was captured by the Germans during the Battle of the Bulge. He was interned in Dresden, where he survived the Allied bombing of the city in a meat locker of the slaughterhouse where he was imprisoned. After the war, he married Jane Marie Cox. He and his wife both attended the University of Chicago while he worked as a night reporter for the City News Bureau. (Full article...)

    Vonnegut in 1965

    Kurt Vonnegut (/ˈvɒnəɡət/ VON-ə-gət; November 11, 1922 – April 11, 2007) was an American writer and humorist known for his satirical and darkly humorous novels. He published 14 novels, three short-story collections, five plays, and five nonfiction works over fifty-plus years; further collections have been published since his death.

    Born and raised in Indianapolis, Vonnegut attended Cornell University, but withdrew in January 1943 and enlisted in the U.S. Army. As part of his training, he studied mechanical engineering at Carnegie Institute of Technology and the University of Tennessee. He was then deployed to Europe to fight in World War II and was captured by the Germans during the Battle of the Bulge. He was interned in Dresden, where he survived the Allied bombing of the city in a meat locker of the slaughterhouse where he was imprisoned. After the war, he married Jane Marie Cox. He and his wife both attended the University of Chicago while he worked as a night reporter for the City News Bureau. (Full article...)
  • Image 2 Title page of the first edition of Wright's Certaine Errors in Navigation (1599) Edward Wright (baptised 8 October 1561; died November 1615) was an English mathematician and cartographer noted for his book Certaine Errors in Navigation (1599; 2nd ed., 1610), which for the first time explained the mathematical basis of the Mercator projection by building on the works of Pedro Nunes, and set out a reference table giving the linear scale multiplication factor as a function of latitude, calculated for each minute of arc up to a latitude of 75°. This was in fact a table of values of the integral of the secant function, and was the essential step needed to make practical both the making and the navigational use of Mercator charts. Wright was born at Garveston in Norfolk and educated at Gonville and Caius College, Cambridge, where he became a fellow from 1587 to 1596. In 1589 the college granted him leave after Elizabeth I requested that he carry out navigational studies with a raiding expedition organised by the Earl of Cumberland to the Azores to capture Spanish galleons. The expedition's route was the subject of the first map to be prepared according to Wright's projection, which was published in Certaine Errors in 1599. The same year, Wright created and published the first world map produced in England and the first to use the Mercator projection since Gerardus Mercator's original 1569 map. (Full article...)

    Title page of the first edition of Wright's Certaine Errors in Navigation (1599)

    Edward Wright (baptised 8 October 1561; died November 1615) was an English mathematician and cartographer noted for his book Certaine Errors in Navigation (1599; 2nd ed., 1610), which for the first time explained the mathematical basis of the Mercator projection by building on the works of Pedro Nunes, and set out a reference table giving the linear scale multiplication factor as a function of latitude, calculated for each minute of arc up to a latitude of 75°. This was in fact a table of values of the integral of the secant function, and was the essential step needed to make practical both the making and the navigational use of Mercator charts.

    Wright was born at Garveston in Norfolk and educated at Gonville and Caius College, Cambridge, where he became a fellow from 1587 to 1596. In 1589 the college granted him leave after Elizabeth I requested that he carry out navigational studies with a raiding expedition organised by the Earl of Cumberland to the Azores to capture Spanish galleons. The expedition's route was the subject of the first map to be prepared according to Wright's projection, which was published in Certaine Errors in 1599. The same year, Wright created and published the first world map produced in England and the first to use the Mercator projection since Gerardus Mercator's original 1569 map. (Full article...)
  • Image 3 Achebe in Lagos, 1966 Chinua Achebe (/ˈtʃɪnwɑː əˈtʃɛbeɪ/ ⓘ; born Albert Chinụalụmọgụ Achebe;16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, and critic who is regarded as a central figure of modern African literature. His first novel and magnum opus, Things Fall Apart (1958), occupies a pivotal place in African literature and remains the most widely studied, translated, and read African novel. Along with Things Fall Apart, his No Longer at Ease (1960) and Arrow of God (1964) complete the "African Trilogy". Later novels include A Man of the People (1966) and Anthills of the Savannah (1987). In the West, Achebe is often referred to as the "father of African literature", although he vigorously rejected the characterization. Born in Ogidi, Colonial Nigeria, Achebe's childhood was influenced by both Igbo traditional culture and postcolonial Christianity. He excelled in school and attended what is now the University of Ibadan, where he became fiercely critical of how Western literature depicted Africa. Moving to Lagos after graduation, he worked for the Nigerian Broadcasting Service (NBS) and garnered international attention for his 1958 novel Things Fall Apart. In less than 10 years he would publish four further novels through the publisher Heinemann, with whom he began the Heinemann African Writers Series and galvanized the careers of African writers, such as Ngũgĩ wa Thiong'o and Flora Nwapa. (Full article...)

    Achebe in Lagos, 1966

    Chinua Achebe (/ˈtʃɪnwɑː əˈtʃɛbeɪ/ ⓘ; born Albert Chinụalụmọgụ Achebe;16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, and critic who is regarded as a central figure of modern African literature. His first novel and magnum opus, Things Fall Apart (1958), occupies a pivotal place in African literature and remains the most widely studied, translated, and read African novel. Along with Things Fall Apart, his No Longer at Ease (1960) and Arrow of God (1964) complete the "African Trilogy". Later novels include A Man of the People (1966) and Anthills of the Savannah (1987). In the West, Achebe is often referred to as the "father of African literature", although he vigorously rejected the characterization.

    Born in Ogidi, Colonial Nigeria, Achebe's childhood was influenced by both Igbo traditional culture and postcolonial Christianity. He excelled in school and attended what is now the University of Ibadan, where he became fiercely critical of how Western literature depicted Africa. Moving to Lagos after graduation, he worked for the Nigerian Broadcasting Service (NBS) and garnered international attention for his 1958 novel Things Fall Apart. In less than 10 years he would publish four further novels through the publisher Heinemann, with whom he began the Heinemann African Writers Series and galvanized the careers of African writers, such as Ngũgĩ wa Thiong'o and Flora Nwapa. (Full article...)
  • Image 4 Lie, c. 1900 Lie Kim Hok (Chinese: 李金福; pinyin: Lǐ Jīnfú; Pe̍h-ōe-jī: Lì Kim-hok; 1 November 1853 – 6 May 1912) was a peranakan Chinese teacher, writer, and social worker active in the Dutch East Indies and styled the "father of Chinese Malay literature". Born in Buitenzorg (now Bogor), West Java, Lie received his formal education in missionary schools and by the 1870s was fluent in Sundanese, vernacular Malay, and Dutch, though he was unable to understand Chinese. In the mid-1870s he married and began working as the editor of two periodicals published by his teacher and mentor D. J. van der Linden. Lie left the position in 1880. His wife died the following year. Lie published his first books, including the critically acclaimed syair (poem) Sair Tjerita Siti Akbari and grammar book Malajoe Batawi, in 1884. When van der Linden died the following year, Lie purchased the printing press and opened his own company. Over the following two years Lie published numerous books, including Tjhit Liap Seng, considered the first Chinese Malay novel. He also acquired printing rights for Pembrita Betawi, a newspaper based in Batavia (now Jakarta), and moved to the city. After selling his printing press in 1887, the writer spent three years working in various lines of employment until he found stability in 1890 at a rice mill operated by a friend. The following year he married Tan Sioe Nio, with whom he had four children. Lie published two books in the 1890s and, in 1900, became a founding member of the Chinese organisation Tiong Hoa Hwee Koan, which he left in 1904. Lie focused on his translations and social work for the remainder of his life, until his death from typhus at age 58. (Full article...)

    Lie, c. 1900

    Lie Kim Hok (Chinese: 李金福; pinyin: Lǐ Jīnfú; Pe̍h-ōe-jī: Lì Kim-hok; 1 November 1853 – 6 May 1912) was a peranakan Chinese teacher, writer, and social worker active in the Dutch East Indies and styled the "father of Chinese Malay literature". Born in Buitenzorg (now Bogor), West Java, Lie received his formal education in missionary schools and by the 1870s was fluent in Sundanese, vernacular Malay, and Dutch, though he was unable to understand Chinese. In the mid-1870s he married and began working as the editor of two periodicals published by his teacher and mentor D. J. van der Linden. Lie left the position in 1880. His wife died the following year. Lie published his first books, including the critically acclaimed syair (poem) Sair Tjerita Siti Akbari and grammar book Malajoe Batawi, in 1884. When van der Linden died the following year, Lie purchased the printing press and opened his own company.

    Over the following two years Lie published numerous books, including Tjhit Liap Seng, considered the first Chinese Malay novel. He also acquired printing rights for Pembrita Betawi, a newspaper based in Batavia (now Jakarta), and moved to the city. After selling his printing press in 1887, the writer spent three years working in various lines of employment until he found stability in 1890 at a rice mill operated by a friend. The following year he married Tan Sioe Nio, with whom he had four children. Lie published two books in the 1890s and, in 1900, became a founding member of the Chinese organisation Tiong Hoa Hwee Koan, which he left in 1904. Lie focused on his translations and social work for the remainder of his life, until his death from typhus at age 58. (Full article...)
  • Image 5 Wollstonecraft c. 1797 Mary Wollstonecraft (/ˈwʊlstənkræft/, also UK: /-krɑːft/; 27 April 1759 – 10 September 1797) was a British writer, philosopher, and advocate of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional personal relationships at the time, received more attention than her writing. Today Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences. During her brief career she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men but appear to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. (Full article...)

    Wollstonecraft c. 1797

    Mary Wollstonecraft (/ˈwʊlstənkræft/, also UK: /-krɑːft/; 27 April 1759 – 10 September 1797) was a British writer, philosopher, and advocate of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional personal relationships at the time, received more attention than her writing. Today Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences.

    During her brief career she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men but appear to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. (Full article...)
  • Image 6 There are no contemporaneous portraits of Du Fu; this is a later artist's impression. Du Fu (Chinese: 杜甫; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest. Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)

    There are no contemporaneous portraits of Du Fu; this is a later artist's impression.

    Du Fu (Chinese: 杜甫; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest.

    Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
  • Image 7 Andrade in 1928 Mário Raul de Morais Andrade (October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada (Hallucinated City), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil. Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Modern Art Week, the 1922 event that reshaped both literature and the visual arts in Brazil, and a member of the avant-garde "Group of Five". The ideas behind the Week were further explored in the preface to his poetry collection Pauliceia Desvairada, and in the poems themselves. (Full article...)

    Andrade in 1928

    Mário Raul de Morais Andrade (October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada (Hallucinated City), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil.

    Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Modern Art Week, the 1922 event that reshaped both literature and the visual arts in Brazil, and a member of the avant-garde "Group of Five". The ideas behind the Week were further explored in the preface to his poetry collection Pauliceia Desvairada, and in the poems themselves. (Full article...)
  • Image 8 Barney in 1898, photograph by Alice Hughes Natalie Clifford Barney (October 31, 1876 – February 2, 1972) was an American writer who hosted a literary salon at her home in Paris that brought together French and international writers. She influenced other authors through her salon and also with her poetry, plays, and epigrams, often thematically tied to her lesbianism and feminism. Barney was born into a wealthy family. She was partly educated in France, and expressed a desire from a young age to live openly as a lesbian. She moved to France with her first romantic partner, Eva Palmer. Inspired by the work of Sappho, Barney began publishing love poems to women under her own name as early as 1900. Writing in both French and English, she supported feminism and pacifism. She opposed monogamy and had many overlapping long and short-term relationships, including on-and-off romances with poet Renée Vivien and courtesan Liane de Pougy and longer relationships with writer Élisabeth de Gramont and painter Romaine Brooks. (Full article...)

    Barney in 1898, photograph by Alice Hughes

    Natalie Clifford Barney (October 31, 1876 – February 2, 1972) was an American writer who hosted a literary salon at her home in Paris that brought together French and international writers. She influenced other authors through her salon and also with her poetry, plays, and epigrams, often thematically tied to her lesbianism and feminism.

    Barney was born into a wealthy family. She was partly educated in France, and expressed a desire from a young age to live openly as a lesbian. She moved to France with her first romantic partner, Eva Palmer. Inspired by the work of Sappho, Barney began publishing love poems to women under her own name as early as 1900. Writing in both French and English, she supported feminism and pacifism. She opposed monogamy and had many overlapping long and short-term relationships, including on-and-off romances with poet Renée Vivien and courtesan Liane de Pougy and longer relationships with writer Élisabeth de Gramont and painter Romaine Brooks. (Full article...)
  • Image 9 Walpole c. 1920–1925 Sir Hugh Seymour Walpole, CBE (13 March 1884 – 1 June 1941) was an English novelist. He was the son of an Anglican clergyman, intended for a career in the church but drawn instead to writing. Among those who encouraged him were the authors Henry James and Arnold Bennett. His skill at scene-setting and vivid plots, as well as his high profile as a lecturer, brought him a large readership in the United Kingdom and North America. He was a best-selling author in the 1920s and 1930s but has been largely neglected since his death. After his first novel, The Wooden Horse, in 1909, Walpole wrote prolifically, producing at least one book every year. He was a spontaneous story-teller, writing quickly to get all his ideas on paper, seldom revising. His first novel to achieve major success was his third, Mr Perrin and Mr Traill, a tragicomic story of a fatal clash between two schoolmasters. During the First World War he served in the Red Cross on the Russian-Austrian front, and worked in British propaganda in Petrograd and London. In the 1920s and 1930s Walpole was much in demand not only as a novelist but also as a lecturer on literature, making four exceptionally well-paid tours of North America. (Full article...)
    Walpole c. 1920–1925


    Sir Hugh Seymour Walpole, CBE (13 March 1884 – 1 June 1941) was an English novelist. He was the son of an Anglican clergyman, intended for a career in the church but drawn instead to writing. Among those who encouraged him were the authors Henry James and Arnold Bennett. His skill at scene-setting and vivid plots, as well as his high profile as a lecturer, brought him a large readership in the United Kingdom and North America. He was a best-selling author in the 1920s and 1930s but has been largely neglected since his death.

    After his first novel, The Wooden Horse, in 1909, Walpole wrote prolifically, producing at least one book every year. He was a spontaneous story-teller, writing quickly to get all his ideas on paper, seldom revising. His first novel to achieve major success was his third, Mr Perrin and Mr Traill, a tragicomic story of a fatal clash between two schoolmasters. During the First World War he served in the Red Cross on the Russian-Austrian front, and worked in British propaganda in Petrograd and London. In the 1920s and 1930s Walpole was much in demand not only as a novelist but also as a lecturer on literature, making four exceptionally well-paid tours of North America. (Full article...)
  • Image 10 Daguerreotype taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Dickinson after early childhood Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence. Although Dickinson was a prolific writer, her only publications during her lifetime were 10 of her nearly 1,800 poems and one letter. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality (two recurring topics in letters to her friends), aesthetics, society, nature, and spirituality. (Full article...)

    Daguerreotype taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Dickinson after early childhood

    Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence.

    Although Dickinson was a prolific writer, her only publications during her lifetime were 10 of her nearly 1,800 poems and one letter. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality (two recurring topics in letters to her friends), aesthetics, society, nature, and spirituality. (Full article...)
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