Portal:Hindi cinema

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Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood is a portmanteau of "Bombay" (former name of Mumbai) and "Hollywood". The industry is a part of the larger Indian cinema, which also includes South Indian cinema and other smaller film industries.

In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364 have been in Hindi. , Hindi cinema represented 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represented 36 percent, and the remaining regional cinema constituted 21 percent. Hindi cinema is one of the largest centres for film production in the world. Hindi films sold an estimated 341 million tickets in India in 2019. Earlier Hindi films tended to use vernacular Hindustani, mutually intelligible by speakers of either Hindi or Urdu, while modern Hindi productions increasingly incorporate elements of Hinglish.

The most popular commercial genre in Hindi cinema since the 1970s has been the masala film, which freely mixes different genres including action, comedy, romance, drama and melodrama along with musical numbers. Masala films generally fall under the musical film genre, of which Indian cinema has been the largest producer since the 1960s when it exceeded the American film industry's total musical output after musical films declined in the West. Dadasaheb Phalke's silent film Raja Harishchandra (1913) is the first feature length film made in India. The first Indian musical talkie was Alam Ara (1931), four years after the first Hollywood sound film The Jazz Singer (1927).

Alongside commercial masala films, a distinctive genre of art films known as parallel cinema has also existed, presenting realistic content and avoidance of musical numbers. In more recent years, the distinction between commercial masala and parallel cinema has been gradually blurring, with an increasing number of mainstream films adopting the conventions which were once strictly associated with parallel cinema. (Full article...)

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Parineeta is a Bollywood musical film adaptation of the 1914 Bengali novella, Parineeta by Sarat Chandra Chattopadhyay. Directed by debutant Pradeep Sarkar, the film was based upon a screenplay by the film's producer, Vidhu Vinod Chopra. The film featured Vidya Balan (pictured), Saif Ali Khan and Sanjay Dutt in the lead roles. The film primarily revolves around the lead characters, Lalita and Shekhar. Since childhood, Shekhar and Lalita have been friends and slowly this friendship blossoms into love. A series of misunderstandings surface and both of them are separated with the conniving schemes of Shekhar's father. The plot deepens with the arrival of Girish who supports Lalita's family. Eventually, Shekhar's love defies his father's greed and he seeks Lalita. The film has several notable allusions to the Indian literature and cinema. Despite the pre-release inhibitions, it received critical acclaim and. It won the Filmfare Awards apart from several prominent awards. The director went on to win the National Award for Best First Film. The film was also showcased at prominent International film festivals.

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Satyajit Ray (2 May 1921 – 23 April 1992) was an Indian Bengali filmmaker. He is regarded as one of the greatest auteurs of 20th century cinema. Ray was born in the city of Kolkata into a Bengali family prominent in the world of arts and literature. Starting his career as a commercial artist, Ray was drawn into independent filmmaking after meeting French filmmaker Jean Renoir and viewing the Italian neorealist film Bicycle Thieves of Vittorio De Sica during a visit to London. Ray directed thirty-seven films, including feature films, documentaries and shorts. He was also a fiction writer, publisher, illustrator, graphic designer and film critic. Ray's first film, Pather Panchali, won eleven international prizes, including Best Human Documentary at the Cannes film festival. It, Aparajito, and Apur Sansar form The Apu Trilogy. Ray did the scripting, casting, scoring, and editing, and designed his own credit titles and publicity material. Ray received many major awards in his career, including 32 Indian National Film Awards, a number of awards at international film festivals and award ceremonies, and an Academy Honorary Award in 1992. That year the Government of India honoured him with the Bharat Ratna.

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Dadasaheb Phalke Award recipient director and screenwriter Shyam Benegal at his office in Mumbai.
Dadasaheb Phalke Award recipient director and screenwriter Shyam Benegal at his office in Mumbai.
Credit: User:Satyenkb
Dadasaheb Phalke Award recipient director and screenwriter Shyam Benegal at his office in Mumbai.

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Awards: Bollywood Movie Awards (defunct) • Filmfare AwardsGlobal Indian Film Awards (defunct) • International Indian Film Academy AwardsNational Film AwardsScreen AwardsStar Guild AwardsStardust AwardsZee Cine Awards

Institutions Asian Academy of Film & TelevisionCentral Board of Film CertificationDirectorate of Film FestivalsFilm and Television Institute of IndiaFilm CityFox Star StudiosNational Film Development Corporation of IndiaSatyajit Ray Film and Television Institute

Lists: List of Bollywood filmsFilm clansHighest-grossing films in overseas marketsHighest-grossing films

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List of missing Indian Films (see also lists of Indian films for redlinks) • Beary Cinema
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Draft articles: Tulu cinemaAnahat (film)Prakash JhaCentral Board of Film CertificationFilmfare Awards SouthKerala Film Critics Association AwardsAmitabh BachchanGabbar Singh Sanjay DuttHindustan Photo FilmsSanskrit cinema
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