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The article says Number Five misses a strong tonal/final cadence, which is not really the case. The last 9-10 bars are a D major cadence (harmonic end-formula) and the last 6 bars are just flowing through D major all the way. No ambiguity here. Still, the feel (style, expression) of the piece may leave the listener with a question: What was this, where is the melody? — Preceding unsigned comment added by Donald j axel (talk • contribs) 13:39, 13 September 2017 (UTC)[reply]
